1. Home
  2. Middle East and North Africa
  3. Palestine

What’s Unsaid | Don’t look away from Gaza

“I believe that my words can change something.”

What's Unsaid podcast teaser picture with a portrait photo in black and white of Rita Baroud, journalist and correspondent from Gaza City, Palestine, over a radial gradient background. The colour at the centre is a purplish blue and the colour outside is green. On the top left, a bit skewed to the right we see the title of the podcast: What’s Unsaid.

Related stories

Despite intense media coverage over more than a year and a half, the day-to-day, human reality of life in Gaza is difficult to imagine. Often, it is overlooked or obscured, even as the genocidal nature of Israel’s war becomes increasingly difficult to deny.

In a special episode of What’s Unsaid, Eric Reidy, who commissions and edits the coverage of Gaza at The New Humanitarian, speaks to 22-year-old Palestinian journalist Rita Baroud, who was recently able to escape from Gaza. 

“I am so exhausted about writing or telling others how we are living our life,” Rita says. “But I believe that my words can change something.” 

Since the beginning of Israel’s military campaign, The New Humanitarian has been publishing first-person articles by Palestinians in Gaza. They have been gathered into an ongoing series called “Don’t look away”. Each article is an intimate testament to how individuals’ lives have been upended and thrust into terror and uncertainty by unimaginable violence, deprivation, and intentional starvation. For over a year, Rita has shared her experiences of surviving the winter cold, dealing with forced displacement, and navigating hope and despair during the uncertain ceasefire. 

“I always mention that I am so depressed, that I'm so tired, that I'm so close to [quitting] this job,” she says. “But in the end, I always just document everything, because I am a human and I believe in humanity.”

In this podcast, Baroud talks about life in Gaza before 7 October 2023, when she was 20 years old, and Gaza was “so small for the hopes or the dreams” she had. With Gaza under Israeli occupation, she explains “growing up in a place full of wars is like growing up in nothing”. She shares what it felt like to watch her family home, where she lived for 20 years, be destroyed, and how it pushed her into her career. As international journalists were kept out, “we were the only ears and voice that they left in Gaza to talk about Gaza,” she says. 

At first, Baroud turned down media requests from global outlets. “I was in shock, because I just lost my house, and now you are asking me to talk about Gaza?” she remembers. “But when I saw it's not just a war, it's a genocide – a real genocide – I said, now, I have to do something.”

Rita was recently able to leave Gaza with her family in a rare and limited evacuation organised by France – an experience that was incredibly fraught. Now, in Marseille, she admits, “I don't do anything but work, writing, documenting.” As she struggles to understand how the destruction of Gaza and the starving and killing of its people continues, she says: “I feel helpless, and writing is the only thing that I have to do right now.” 

When speaking about The New Humanitarian’s “Don’t Look Away” series, Baroud expresses disappointment that people outside Palestine have the luxury that “whenever you feel like you are tired because of news in Gaza, you shut your phone down, and you shut off the news, and khalas.” But having survived 573 days of Israel’s war in Gaza, until she was able to evacuate, “all I want to know is why the world can't do anything?”


What’s Unsaid is a podcast exploring the open secrets and uncomfortable conversations that surround the world’s conflicts and disasters, regularly hosted by The New Humanitarian’s Ali Latifi and Obi Anyadike.

Guest: Rita Baroud, journalist and correspondent from Gaza City, Palestine

Subscribe on SpotifyAppleGoogleStitcher, or YouTube, or search The New Humanitarian in your favourite podcast app.

Transcript | Don’t look away from Gaza

Eric Reidy

Today on What's Unsaid, we’re doing things a little bit differently. We’re asking: What’s Unheard.

 

Rita Baroud

I am so exhausted about writing or telling others how we are living our life, but I believe that my words can change something. I don't know how, I don't know when, but I still believe in this. 

 

Reidy

This is What's Unsaid, a podcast by The New Humanitarian, where we explore open secrets and uncomfortable conversations around the world's conflicts and disasters. 

 

My name is Eric Reidy. I’m the editor managing coverage of Gaza at The New Humanitarian. On today’s episode, we’re flipping the script to talk less about what’s unsaid, and instead amplify voices that are unheard – or increasingly ignored. 

 

Despite intense media coverage over more than a year and a half, the day-to-day, human reality of life in Gaza is difficult to imagine. Often, it is overlooked or obscured, even as the genocidal nature of Israel’s war becomes increasingly difficult to deny. 

 

Since the beginning, we have been publishing first-person articles by Palestinians in Gaza. We recently gathered them together into an ongoing series called “Don’t look away”. Each article is an intimate testament to how individuals’ lives have been upended and thrust into terror and uncertainty by unimaginable violence, deprivation, and intentional starvation. 

 

Baroud

I always mention that I am so depressed, that I'm so tired, that I'm so close to quit this job. But in the end, I always just document about everything, because I am a human and I believe in humanity.

 

Reidy

Today, we’re talking to one of the authors of these articles, Rita Baroud. She is a 22-year-old journalist from Gaza City. I’ve been working with her since last August, and I have to say, it is a tremendous privilege to have her on the podcast. I feel like I have really gotten to know Rita through her writing. Her articles are among the most powerful, beautifully written, and heartwrenching I have ever edited or even read. If you haven’t, you should really take the time to give them a read. 

 

Rita was recently able to leave Gaza with her family in a rare and limited evacuation organised by France – an experience that was incredibly fraught. I hesitated to ask her to do this interview because of how difficult it is for her to continue talking about what she’s been through and what is still happening in Gaza. But her voice and her experience are so important, and Rita wanted to talk to try to make sure the world does not look away. 

 

Baroud

I lived for more than 573 days in Gaza. But I still can't believe what's going on in Gaza. All I want to know is why the world can't do anything?

Reidy

The conversation is raw, and parts of it may be difficult for listeners to hear, but it is also brutally honest. I started by asking her to take us back to life before October 7th 2023. 

 

Baroud  

Well, before the 7th of October, I was only 20. I was just a normal girl who's trying to go out of Gaza, to have my master degree, to do my study abroad. I tried also to enjoy my life, you know, but when you are in Gaza, you can't do anything, because every some year, you have a war, war, war. So okay, even if I was trying to live a normal life, everything was so complicated, but I was hanging out with my friends, living life with my family, studying. I was studying languages. I was planning to do international relations. But now, I don't have any idea about the future. 

 

Reidy  

And, even before October 2023, I feel like Gaza was a place that was difficult for people outside to imagine. You know, there's so much death. There's so much destruction. The image of Gaza now is the cities that have been razed to the ground, but I kind of want listeners to understand what Gaza was, even when it was a very difficult place to live, but still a place that was full of life, full of community, where the social fabric hadn't been torn apart the way that it has been now. You talked about spending time with your friends and family. Can you tell us what you would do?

 

Baroud  

To be honest, the only thing that I did in Gaza is just going to the sea, because it was the only place you feel freedom when you go to the sea. But for others, you know, the only thing that you can do is just going out to a cafe or restaurant and have a good meal, drink your coffee, or visit your family and friends, and that's it. But yeah, Gaza was so beautiful with people, not with places. 

 

Reidy  

What do you mean by that?

 

Baroud  

People there only just want to live a simple life. So, even if you don't have many places in Gaza, people can make everything so good. But for me, Gaza was not the place that I want to live in at all, because it was so small for the hopes or the dreams I have.

 

Reidy 

And that's because it was under occupation? 

 

Baroud 

Yes, because under occupation, and I don't want to live my whole life with war.

 

Reidy 

It's been under Israeli blockade since 2007 which already limited what could enter. And there were four wars, like you said, between 2008 and 2021. That's most of your life. How did all of that affect you?

 

Baroud  

Well, growing up in a place full of wars, is like growing up in nothing. People think that they understand what's going on in Gaza, even before the 7th of October, but actually, no, nothing. No one can understand what's going on in Gaza. 

 

Reidy  

In your articles you've written about your family home in Gaza City. Can you describe your home for us and explain what happened to it?

 

Baroud 

Yeah, we had a family building, with five floor, and Israel targeted it at the third day of this genocide. They targeted us with no reasons, no warning, and when I'm talking about my house, or especially my room, like I spent 20 years in this house, I grew up in this house. It's so difficult to imagine that it's gone, you know? And now, it's gone. So, I just don't know, like when you're talking about your house, and it's not there anymore, you feel like you can't describe anything about it.

 

Reidy  

Yeah. How did you start working as a journalist, and what were you hoping to communicate through the articles that you've written for The New Humanitarian? 

 

Baroud 

Well, working as a journalist is not something that I choose to. I had to do it because, you know that international journalist, it wasn't allowed for them to come to Gaza because of the Israelian occupation. They didn't allow for anyone to come to Gaza or to enter Gaza. So we - the civilians people, the normal people - had to become journalists, because we were the only ears and voice that they left in Gaza to talk about Gaza. And how I started in journalism, like at the third day of war. They contacted my father. Many outlets. Because they wanted me to become a journalist. But that time, I was in shock, because I just lost my house, and now you are asking me to talk about Gaza. So, I refused at the beginning, because I thought that it will be just a normal war, like it will end after two months, or something like this. But when I saw it's not just a war, it's a genocide - a real genocide - I said, like, now, I have to do something. So, I started at February 2024, and from that time till now, I didn't stop working in journalism.

 

Reidy 

And, what do you want to communicate with the articles that you write? And specifically the articles that you've written for The New Humanitarian.

 

Baroud 

To be honest, when I started working in journalism, I was talking about massacres, murdered people, what's going on in Gaza and these things. And then I said, like, I am okay journalist, but okay at the same time I am a human. I am a person who is living in hell, and I want other people to know how we get water, how we eat, how we are making money, these things that other big outlets don't describe it, and this is how I started with The New Humanitarian, because I want to write something that when readers are reading what I'm writing, they understand or they become so emotional about the situation. Because, I really want the people all around the world to understand what's going on in Gaza and how people live, or are living their life in Gaza.

 

Reidy 

Can you give us an example of what day-to-day life was like in Gaza for you over the course of, you know, the past 20 months? What was that actually like?

 

Baroud  

Okay, well, when I started working with you, you asked me to write about daily life. And the first thing I told you, like, Eric, you can't just say, like, oh, write a daily life because, you know, in Gaza people just, they are trying to survive. They are trying to live just for one hour, not for another one day, because they may be killed any time. It's totally hard, because all they think about is how to get food, how to get water, how to fill water, how to find clean water, how to find flour, how to find something for babies. And when we are talking about surviving - surviving also, it's not just about food or water. It's about also hospitals. It's about traffic. It's about everything, everything, even it's about their cash money, because you know that the comminution of cash money nowadays, it's up to 50 percent. Can you imagine, like if you have 3000 and you want them in cash, so you pay 6000 to get 3000, so it's the double.

 

Reidy 

Yeah.

 

Baroud 

So, everything is so crazy there. It's like burning alive in hell.

 

Reidy  

Before you left, you visited the site of your house in Gaza City. Why did you want to go before leaving Gaza, when you knew that you were going to leave?

 

Baroud  

Because I felt like I'm not going back to Gaza. I just need to accept that I don't have a house anymore. Like, the only thing I have in Gaza right now is my people. That's it. Everything is destroyed. All my friends have been killed. And the only thing that I have now is my people.

 

Reidy  

And you recently were able to leave through this evacuation program. There were only 115 people, and it's the only evacuation of the sort that I've heard of. Can you tell us about how you actually left? How did that happen?

 

Baroud

The French consulate evacuated us, because my father has a scholarship here in France, and he's an artist, and he was able to take or, to evacuate, all of his family, that's why. But it wasn't easy. We have been waiting for this for more than 19 months. 

 

Reidy  

You wrote that ‘Leaving felt like abandoning my people and betraying everything I believed in. Staying felt like a form of resistance.’ Can you talk a little bit more about this internal conflict that you felt making the decision to leave? 

Baroud 

Well, I wrote this because I still feel like I don't deserve to leave Gaza. Like someone else deserves to leave, but not me. You know, when you are a journalist, you feel like it's too early to leave, especially like I spent 20 years of my life thinking about just leaving, leaving Gaza, but when I became journalist, everything changed inside me because I don't want to leave my people behind me. Even here in Marseille or in France, I still feel guilty, I still feel like I don't deserve this. It's another kind of death. But, this kind of death is so hard because you feel like you are not able to do anything. You feel like you are hopeless. You are helpless, that you want to do something for your people, but you are helpless. And from the day that I evacuate till now, I couldn't sleep. I don't have any rest. I don't do anything but work, writing, documenting, and talking with my people, to make sure that they are so good. But yeah, the month that I left Gaza, everything it changed. Like, okay, I experienced that there was no food even before leaving. But now, literally, even if you have money and you need to buy anything, there is no food. And the worst thing - the American humanitarian aid. And when Israel tell people like, okay, come to Rafa or come to Netzarim to take your humanitarian aid, and then they open fire on people. This is insane. Why you are treating other people like this? Like they don't deserve to eat. They don't deserve anything? And then Israel target people. They starved them. Like, why?

 

Reidy  

So, now you're in France, and recently you had a meeting with President Macron of France, can you tell us a little bit about what message you had to deliver to him?

 

Baroud 

Well, I have a conference about two states, and I told them, like, how you can talk about peace while there is a genocide in Gaza. And how you are asking about humanitarian aid, as if it's a reward to people in Gaza, but it's a right for the people in Gaza, and you just can't decide anything about the people in Gaza. Ask people in Gaza what they need, like open borders. The humanitarian aid must go to Gaza or enter to Gaza, with no limit and when I met Macron, I told him, like, can you just please end the war? You have to end this bloodshed. You have to stop this bloodshed. 

 

Reidy 

Do you have any hope that that's going to happen?

 

Baroud 

I don't know. Now I feel hopeless about everything. But, sometimes I feel like, why not?

 

Reidy 

Yeah.

 

Baroud  

I'm trying my best to do something, even if I am in France or I am out of Gaza. Like, meeting them also is something good. Like I just evacuated, and now I'm meeting with Macron after one month. I just don't know.

 

Reidy 

I know it's really hard to talk about, and you've been through so much. And, yeah, I really appreciate you being willing to talk about it and being willing to continue to write about it, even though it is so difficult. And I can't imagine the emotional toll that it takes for you to continue to talk and advocate like you do. Can you talk about that a little bit, just what it's what it's like for you to feel so exhausted, to feel so hopeless, and to also feel like you have to continue to talk about what's happening.

 

Baroud  

You know when, when people, they feel like they are so depressed, they always choose the negative way to escape from the reality. So now, I feel nothing, and I feel like I'm killing myself by not eating or not caring to take care of myself. And that's why I am always writing, and even if you are writing, you are writing about Gaza. You are not writing about something else, like for others, maybe, if they evacuate, khalas, they will say, like, now we deserve to live our life, but this is not me. I told you, especially when you become a journalist, you're only human, and you have your people there. Why I keep writing? Because I feel helpless, and the writing is the only thing that I have to do right now.

 

Reidy  

It gives you a sense of agency?

 

Baroud  

Yeah.

 

Reidy  

That there is, at least something that you can do.

 

Baroud  

Yeah.

 

Reidy

If you, if you want to leave listeners with one thought about Gaza. What would it be?

 

Baroud

Before the 7th of October, it was normal life, and people were just trying to live their life, okay. But now, it's worse than hell. Like, no one can imagine how the situation is so bad in Gaza, even me. All I want to know is, why? Why the world can't do anything? Why the leaders let us alone? Why the only thing they are just doing is just negotiating about us, without us. So, yeah. Why?

 

Reidy

Yeah, and we've titled the series that your articles are a part of “Don't look away”. Do you feel like people are looking away from what's happening in Gaza?

 

Baroud  

Yeah, yeah, of course, of course. You know, I am here in France, and you know, I have some friends that they told me, oh, Rita, you work so hard. You have to have some rest. And I told them, like, okay, but I have people because I have to make sure that they are good, and they are just like, we can't take this anymore. We just shut off the news, not reading about Gaza, because khalas, we can't. You can't read the news about Gaza? But can you imagine how people in Gaza are living this every single second, and you are talking to me like you are here, living your life, have some silly problems and whenever you feel like you are tired because of news in Gaza, you shut your phone down, and you shut off the news and khalas. You live your normal life. You live your daily life. Sometimes I don't believe that people care about Gaza, because no one care. No one will understand anything, even if they pretend that they care or they are with Gaza, that they are not. I can't believe anything anymore, anything. How you want me to wait something from people outside of Gaza? 

 

Reidy  

Yeah, the way people talk about it, the way people interact with it, has become sort of disconnected from the reality on the ground, maybe? 

 

Baroud  

I can't put any excuse for others. Sorry for this - or not sorry, I'm not sorry - but I can't put any excuses for others anymore.

 

Reidy  

While we've been talking, the one thing that made you smile was when you talked about the sea in Gaza. You're in a city now by the sea in France. Does that bring you any sense of comfort or peace?

 

Baroud 

No. At all. Okay, it's the same sea in Gaza and here in Marseille, but no, of course, no.

 

Reidy  

Can you say why? 

 

Baroud

Because I am not in Gaza, and there's a genocide in Gaza. I told you, if the genocide stops and ends, if my people evacuate or they are good, I will be good. 

 

Reidy 

Rita, thank you so much for speaking with us today. I know it is really difficult to have conversations like this and we, I, just really appreciate you being willing to continue to speak and continue to write about what's happening. 

 

Baroud  

Thank you.

 

Reidy 

Rita Baroud is a journalist from Gaza City. Find all of her articles, and please follow the “Don’t look away” series, on our website TheNewHumanitarian.org. We’ll also add links in the show notes. 

 

And let us know what people are afraid to talk about in today’s crises? What needs to be discussed openly? Send us an email to [email protected]

 

Also, subscribe to The New Humanitarian on your podcast app for more episodes of What’s Unsaid, Rethinking Humanitarianism, and Power Shift.  

 

This episode is produced and edited by Freddie Boswell, sound engineering by Tevin Sudi, with original music by Whitney Patterson. And regularly hosted by Obi Anyadike and Ali Latifi. Thanks for listening. I’m Eric Reidy.

Read more about...

Share this article

Our ability to deliver compelling, field-based reporting on humanitarian crises rests on a few key principles: deep expertise, an unwavering commitment to amplifying affected voices, and a belief in the power of independent journalism to drive real change.

We need your help to sustain and expand our work. Your donation will support our unique approach to journalism, helping fund everything from field-based investigations to the innovative storytelling that ensures marginalised voices are heard.

Please consider joining our membership programme. Together, we can continue to make a meaningful impact on how the world responds to crises.

Become a member of The New Humanitarian

Support our journalism and become more involved in our community. Help us deliver informative, accessible, independent journalism that you can trust and provides accountability to the millions of people affected by crises worldwide.

Join